jamaica
Reggae Covers: Eek A Mouse – Dyer Maker (Led Zeppelin) + BONUS TRACK
A classic cover, and one of which I’ve been aware since it’s 1991 release. Eek A Mouse’s unique verbal stylings, which he calls ‘Chin-Indian Music,’ is the perfect vehicle for Robert Plant’s staccato, mumbling delivery in the 1973 original.
You’ll have to forgive the ‘elevator reggae’ backing track. As ever, Eek is the star of his own show.
…and a bonus reggae cover of this same song, this time by the legendary Sly & Robbie:
Reggae Covers: Pat Kelly – A Whiter Shade of Pale (Procol Harum)
Kingston Jamaica’s Pat Kelly is a veteran vocalist from the rocksteady days, recording for Duke Reid when Treasure Isle Records was the king of the dancehalls. Kelly modeled his vocal style on US soul singer Sam Cooke, a crooner’s method that finds a likely number in Procol Harum’s 1967 hit ‘A Whiter Shade of Pale.’ Kelly doesn’t really try anything unusual or new with this 1984 recording, though a talented vocalist rendering a memorable song is worth a listen even under the worst of circumstances.
And although my eyes were open
They might have just as well’ve been closed
Reggae Covers: The Cimarons – Kung Fu Fighting (Carl Douglas)
This 1995 cover doesn’t bring much to the memorable 1974 Carl Douglas original, though it’s worth mentioning that The Cimarons themselves –Franklyn Dunn, Carl Levy, Locksley Gichie, Maurice Ellis, and Winston Reid (aka Winston Reedy)– were class-act session musicians in Jamaica before emigrating to the UK.
Bonus FunFact: Carl Douglas himself is a native of Kingston, Jamaica.
Reggae Covers: Lloyd Charmers – Theme from ‘Shaft’ (Isaac Hayes)
One of the most well-known, most culturally-pervasive movie themes of all time, Isaac Hayes‘ theme for the 1971 blaxploitation movie Shaft has received near-constant homage in other media from the Fresh Prince of Bel-Air to Channel 4’s Father Ted. I mean, it’s up there in ‘Theme from Rocky (Gonna’ Fly Now)’ territory.
Here we have old-school rocksteady/ska singer (and sometime x-rated lyricist) Lloyd Charmers‘ 1971 almost immediate re-release of the film original and you know what? It’s pretty dope. The fast urban pace reflected in the original is kind of existentially at odds with the deliberate mogel-inducing rhythms of rocksteady yet Lloyd completes the transformation into a groovy thing of excellence. Definitely worth a listen.
Reggae Covers: John Holt – Just The Way You Are (Billy Joel)
I’ve never been a big fan of Billy Joel’s music. You have to recognize the staying power and broad appeal of his music nonetheless so it’s unsurprising to find something of his in the covers-happy world of Jamaican popular music. Thankfully we find this classic hair-salon-muzak number in the capable hands of John Holt, who despite his inspired pedigree does little to interfere with the work of the original creative hand. Not even a horn chart, swelling strings, and a crew of ‘hoo-hoo’ background singers can make this a song you’d want to hear more than once. Alas. Can’t win ’em all.
Reggae Covers: Dennis Brown – Raindrops Keep Falling on My Head (B.J. Thomas)
Has anyone ever done a ‘six degrees of Kevin Bacon’ challenge with Burt Bacharach? He and Hal David wrote this song for the 1969 Robert Redford/Paul Newman film ‘Butch Cassidy & the Sundance Kid.’ Here we have Kingston, Jamaica’s own Dennis Brown chiming in with a dutiful cover of the B. J. Thomas original. offering nothing particularly new except a charming song performed by one of reggae’s most distinctive, most prolific voices.
Reggae Covers: Jackie Mittoo – Sunshine of Your Love (Cream)
In a song with an all-time unforgettable signature riff there’s little room for improvisation, or so it would seem. Inexorably following in the melodic tracks of the original by Cream Jackie Mittoo (of Brown’s Town, St. Ann Parish, Jamaica) yet manages to turn the almost menacingly lustful original into a bit of cheerful shopping music.
Reggae Covers: Jimmy Lindsay – Ain’t No Sunshine (Bill Withers)
Starts kind of respectful, even mechanical, but quickly assumes its own character and style. Jimmy Lindsay’s recording of the Bill Withers original brings hints of African drums, rock & roll (that sax solo!), and his nascent rasta consciousness.
Culture – Mr. Sluggard
Kingston, Jamaica’s Culture with a tune at once very chill in its riddims and un-chill in the light it shines on Mr. Sluggard.
Tell me where you get your bread, Mr. Sluggard.
Tell me where you get your bread, each time.
Tell me where you get your bread, Mr. Sluggard.
Tell me where you get your bread, each time.Did you ever push a hand cart, full of farmers goods?
Crossing the street between truck and cars,
Blowing four inches across death’s face.
Reggae Covers: Slim Smith – Everybody Needs Love (Gladys Knight & the Pips)
What an outstanding vocal track on this single! Kingston, Jamaica’s Slim Smith here offers a truly noteworthy, upbeat cover of the swinging original recording by Gladys Knight & the Pips.
A lot of reggae covers (including some on this site) come off as bound to or hindered by the original recording in an almost postcolonial sense. This artist however takes the slow-danceable, heavily-orchestrated original released to US audiences in 1967 and turns it into a whole new piece of art: one that preserves the essentials of the song (melody & lyrics) but turns them up for the hip-shaking audiences of 1969 Trenchtown.
Say you wanna be loved
But you won’t let me love you
Say you want someone to trust in you, baby
Can’t you see that’s what I’m tryin’ to do?
A Biscuit In The Sun 